We see it everywhere. We see it in many different forms from Dresden to Chantilly. Yes, I’m talking about lace. We love a lace gown here at RMW and as fashions change and grow and develop so does and will this magical world of lace. And we’re very excited about it.
Someone else equally as excited about this is Chloe from The White Room and she’s here to tell you lovely lot more about new trends and how to work this beautiful material to your advantage.
Chloe teamed up with photographer Cat Hepple to bring this gorgeous shoot to our pages.
Creativity And Styling
Chloe from The White Room: The concept of the shoot was to embrace the huge trend for lace within the industry but try to bring it to a modern and fashionable edge, allowing elements of lace to be present without necessarily being the whole gown, adding hints of colour or quirky touches to make it more than just ‘another lace dress’. We wanted to really bring to the forefront the femininity and softness of the gowns and show that less, can be more and a little creativity and styling.
What I love about the designers stocked at The White Room is just that, their ability to design a gown with the overall end look in mind, selecting the fabric which makes the gown so special, rather than sticking bits of lace on a gown and expecting brides to buy into the ‘vintage lace’ dress. They have thought with detail about what lace suits each cut of gown and what is needed to make a bride fall in love with quality, style and design.
Honour is a very strong gown for The White Room for 2013 by Stephanie Allin. One that can be worn so many ways and allows the romance in the full tulle skirt to peek through the powerful lace panels and look timeless and memorable. Many brides come to us and say they want ‘vintage’ – my interpretation of this is now to mean ‘timeless’ and Honour resonates with that. Brides love the higher neck line and the variation of adding belts, sashes and veils. We paired it with a soft birdcage by HM Veils and a blush sash to emulate the look of the shoot, feminine and pretty.
Galilee by Cymbeline is a wonderful gown, quirky as she is feminine, the lace is so soft and delicate, but the polka dot makes it fun and kooky. We paired her with a few styles of the 1920’s inspired Juliette cap veil, one with the full flower and the other with tumbling layer of contrasting lace for the more full on lace look. The movement in the gown is there to see and is perfect for the bride whose priority is comfort and wear ability with a hint of sensuality – the open back is to die for!
Sunset by Stephanie Allin is one of my favourite gowns for 2013 – the oyster pink chiffon is just amazing and the cut of the gown is so fashion forward with the drop waist corset and strong line on the bust, she is a fashionista’s dream! We paired with the bespoke ‘Sunset’ veil (at The White Room). This gown pairs brilliantly with gold, bronze and blush accessories, perfect with Rachel Simpson ‘Esme’ and ‘Ginger’ shoes which White Room brides love.
Embrace Your Curves
Ah Dominique – who CAN’T love Dominique by Sassi Holford? As a new label to The White Room, we have fallen in love with Sassi’s designs and Dominique is one of our favourites, a super strong fishtail with some power in the lace (LOVE the polka dot skirt!). We paired simply with Debbie Carlisle ‘Lily’ and let our model do the work. Brilliant for the bride embracing curves, sensuality and style. Not for the faint hearted, but then again ladies, a White Room bride likes both to be seen and heard!
Which is why we LOVE Hayworth by Stephanie Allin – a stunning golden hue of sequin and tulle, she lives up to the Hollywood name and emulates sensuality with a hint of glamour and sex appeal. We paired with the birdcage, and like Sunset, carries gold and blush accessories amazingly well. Dare to be different and add a blush veil and allow the colours to shine or wear her with the very glam turban!
Lastly and be NO means least… Eden! The stunning beaded beauty that is Eden. We’ve shot the platinum version before (see the Stripped to Core shoot on RWM in November 2012) but this shoot called for something softer and the ivory gown did that for us. We paired with DC Bouquets ‘Greta’ for the epitome in the 1920’s styling. What was amazing about Eden was as much as the light fell, the beading just shone.
We hope you love the shoot and the gorgeous gowns we hold at The White Room and how we see bridal as a genre of fashion, as a play thing of style, as an adventure in to self expression and as a work of art. I believe the images and video tell that tale and that brides will take risks and add their stamp on a classic – embracing romance, femininity and fun along the way!
Boutique – The White Room
Venue Styling – Pamella Dunn Events
Hair and Make-Up – Erika Swinn
Venue – The Old Priory
Photography – Cat Hepple Photography
Lily and Greta Hair accessories – DC Bouquets
Veils – HM Veils at The White Room
Shoes – Rachel Simpson
Videography – Story Of Your Day
How gorgeous is it to see lace used more subtly through these designs? Cat tells us that her inspiration for the shoot was based on this quote, “Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet.” And I think it’s just perfect. It mirrors the delicate designs and screams for a bride who wants to be traditional but also have a little bit of a quirky edge.
Make sure you watch the video too to see the dresses in action.
Do you have a favourite? I’m very attracted to Sunset and that amazing veil.
Lots of lacy love